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Funeral Diaries

Original title: Matusepäevikud

2019 | Documentary | Director: Marko Raat

The daily bread of ministers of small congregations is not sermons in the church; it is constant work with the old and the dying. A holy man who has been removed from his friends and peers and suddenly transplanted into another culture is often lonely and broken himself.

Three ministers have been invited from Estonia to serve the exile congregations in Toronto. By now, the main job of Jüri, Kalle and Mart is to bury the generation that fled Estonia in 1944. The documentary uses burials to talk about the disappearance of traditional funeral services and the profession of clergyman. The everyday life of the three protagonists tells a bigger story of church, faith and a fading émigré identity. The main characters have a modern and bright outlook on life and while practicing a past profession try to adopt to the ever-changing world where everything old and familiar slips ...
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Kodumaa karjed

2019 | Documentary | Director: Marta Pulk

Who's the man waving the flag?

Most powerful speeches and thoughts from demonstrations gathered into one essay to inspect – what troubles people and do they have a say?
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Taagepera

2019 | Documentary, Portrait | Director: Peeter Simm
Truth and Justice

Original title: Tõde ja õigus

2019 | Feature film, Full length feature | Director: Tanel Toom

Estonia, 1872. The uncompromising new owner of Robber’s Rise must battle with hard work, his spiteful neighbor and with his own family and beliefs to transform the poor land into a flourishing farm of his dreams – to bring truth and justice to a god forsaken place.

Estonia, 1872. The uncompromising new owner of Robber’s Rise must battle with hard work, his spiteful neighbour and with his own family and beliefs to transform the poor land into a flourishing farm of his dreams – to bring truth and justice to a god forsaken place. Young and energetic man Andres together with his wife Krõõt arrives to his new farm bought on a loan to establish their new life. Robber’s Rise must become a place, that’ll take care of the family. Household needs a lot of work and consistency – battle with nature, fate and his spiteful neighbour Pearu ...
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Everyday Mysticism

Original title: Vello Salo. Igapäevaelu müstika

2018 | Documentary, Portrait | Director: Jaan Tootsen

A story about a trickster priest preparing to leave this world.

This documentary film is about the beauty of growing old. It is a story about an old and wise man who is preparing to leave this world and, thus, faces many personal and delicate questions. How not to loose faith in these final hours? Why are the greatest among us put through the hardest trials in the spiritual realm? Vello Salo is a Catholic cleric in his 90s, but first and foremost, a human being: a free spirit, a man with his own quirks and tricks, not to mention a lifetime of experience and wisdom which has been well-preserved to ...
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Koma

2018 | Documentary, Portrait | Director: Maria Avdjuško, Peeter Simm

Documentary about well known Estonian theatre director Kalju Komissarov.

Kalju Komissarov (08.03.1946-06.03.2017) was one of the greatest and most influential theatre and film director and theatrical pedagogue in Estonia. To this day most of the big names who work in Estonian theatre stages have been his students. He was in charge of Estonian Youth Theatre 1974 - 1986, Ugala Theater 1989 - 1991 and 1986 - 1995 Drama School of Estonian Academy of Music and Theatre. Till his death in 2017 he was the professor of University of Tartu Viljandi Culture Academy. You can see his students remembering him and his last interviews in documentary “Koma”.
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Long Live the Scandals!

Original title: Elagu skandaalid ja kollased sandaalid

2018 | Documentary | Director: Manfred Vainokivi

Documentary about Estonian contemporary artist Leonhard Lapin.

Leonhard Lapin is the classic and the enfant terrible of Estonian contemporary art, constantly followed by scandals, lewd legends and envious grumbling. Lapin confidently steps on the cornea of mediocrity, enjoying the situation to the fullest. Loved by his muses, the artist is not ashamed of his dalliances. He still has plenty at the grand old age of 70. The new Estonian film opens the doors to a disappearing Bohemianism, in which racy vocabulary reigns instead of political correctness.
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Mountains That Were Not There

Original title: Mäed, mida polnud

2018 | Documentary, Portrait | Director: Ivar Jurtšenko

A documentary film that takes the viewer to the great stages of the sport of cycling. Estonians Tanel Kangert and Rein Taaramäe are the same age and both from the small village of Vändra. They are under the microscope as they both cycle in the top-level Astana Pro Team.

Talent, diligence and willpower can take you to the world stage, even if you grow up in Vändra, on the periphery of Europe, and dream of becoming a professional cyclist. A pro who conquers famous mountaintops in the Alps, the Pyrenees and the Dolomites, and whose name is heard from week to week on the Eurosport channel when the Tour de France, the Giro d´Italia or the Vuelta are underway. One exceptional success story is understandable, but when there are two of them, and both at the same time… Tanel Kangert and Rein Taaramäe grew up to become world-class champions ...
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New Neighbours

Original title: Uued naabrid

2018 | Documentary | Director: Riho Västrik

Two political eras meet in the Estonian town of Tapa.

In this new short documentary of Riho Västrik the political eras meet in the Estonian town of Tapa. Tapa is a railway junction 90 km from Tallinn. During the Soviet occupation it housed a Red Army training centre and airport. The population then was 12000 people, now it is half the size and half are Russian-speaking people. The neglected Soviet training centre is a stone’s throw from the NATO base where in spring 2017 allied forces moved in.
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The Little Comrade

Original title: Seltsimees laps

2018 | Feature film, Full length feature | Director: Moonika Siimets

Six-year-old Leelo’s mother is deported to a Siberian prison camp during Stalinist repressions. The little girl tries to be as good as she can in the belief that this will bring her mother back home.

It is 1950 in the Soviet Estonia and the Stalinist terror machine works at full steam – 6-year-old Leelo’s school principal mother is arrested before her very eyes. “If you’re a good kid, I’ll be back soon,” are her mother’s last words as she is taken away at gunpoint. So Leelo is on her very best behaviour, but yet her mother does not return. A fear creeps into the child’s soul that it is her fault her mother was taken. The confusion only grows as “good” and “bad” no longer seem to hold any meaning in these troubled times. Why ...
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