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Displaced

2020 | Students film, Animation | Director: Laura Benavides Ramirez

A foreign figure decides over the destiny of one indigenous woman. Her scape is a dance that reveals what means to be displaced.

A foreign figure decides over the destiny of one indigenous woman. Her scape is a dance that reveals what means to be displaced.
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Erna At War

2020 | Feature film, Full length feature | Director: Henrik Ruben Genz

When Erna’s simple-minded son, Kalle, is conscripted for military service, she swaps identity with a soldier and heads towards the front to protect her child. While the world is at war, Erna fights her own.

The year is 1918. The Great War is raging through Europe while Erna Jensen tends to her ordinary, tranquil life at home in Bramstrup where she lives with her simple-minded son, Kalle. That is until the day when everything changes as the village constable Meier shows up to conscript Kalle for military service for the German Empire of which Southern Jutland, at this time, is a part. Ever since Kalle’s dramatic birth, Erna has promised the Lord that no one should ever be allowed to touch so much as a single hair on the boy’s head and now she has to hand ...
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From wave and stone

Original title in Russian: Из волны и камня

2020 | Students film, Documentary | Director: Margarita Levina

The film tells the autobiographical story of an author who wanted to change her place of residence in the hope of changing herself and her life. But it turned out that the country does not change anything if the soul remains the same.

The documentary tells the story of an author who for a long time really wanted to move somewhere from her home city, St. Petersburg. One day, she finally moves to Tallinn. And only then she begins to understand how she loves her hometown and how she misses it.
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Gentle Warriors

Original title (in Lithuanan): Švelnūs kariai

2020 | Documentary | Director: Marija Stonytė

A girl becomes a warrior in the military- and her own life.

Documentary by Marija Stonytė takes us on the journey of a girl becoming a warrior in the military and in her own life. A few years ago military conscription for men was reintroduced in Lithuania. Simultaneously, there were a number of young women who decided to voluntarily register for military service. We follow 3 of these girls for 9 months as they live and train among 600 men at an isolated military base. Three girls – three totally unique characters, come from very different social backgrounds. One joined the army with the aim of starting a new life, another - to ...
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Georg Ots. Mälestusi Võsult

2020 | Documentary, Portrait | Director: Toomas Lepp
Home(sick)ness

2020 | Students film, Documentary | Director: Daria Litvichenko

Estonians living abroad reveal the poetry of the everyday as they share what makes them miss their home.
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Insurance case in parking lot

Original title in Estonian: Kindlustusjuhtum parklas

2020 | Students film, Advertising/Promotion | Director: Henrik Frederik Ait

The advertising clip shows that unexpected insurance incidents can also occur in the store's parking lot.

Mother and child exit the mall. The boy goes to take the cart away and scratches the car.
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Jüri Pootsmann - Magus melanhoolia

2020 | Students film, Music video | Director: Romet Esko, Raul Esko

Music video by Jüri Pootsmann performing Magus Melanhoolia.

“Magus melanhoolia” is about a mixture of feelings regarding a social situation and letting go of melancholy. In the lyrics, Jüri seems to be considering forgiving someone for their past mistakes and sobering up, eventually “saying no”. The verses speak of drunken mistakes and show a feeling of uncertainty, with a dash of bipolarity, but in the chorus the singer seems to be very certain on the position he takes. “No, I’m saying no. There’s more of these kinds of mornings. I’ll wait for tomorrow”, Jüri sings.
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Kevad

2020 | Feature film, Short | Director: Andres Keil
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Left Unsaid

2020 | Students film, Documentary | Director: Iari Varriale

The filmmaker seeks to discover the relationship with his emotionally distant father.

Iari - the filmmaker - feels sorrow because he never got close with his emotionally distant father. To try and get over this feeling, he decides to turn the camera towards his parents, and in particular toward the father, to whom will be asked questions about his childhood. In this film, we see the filmmakers deep desire to understand the troubled childhood of his parents, through which he also hopes to get a better understanding of himself.
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