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Estonian-born Arvo Pärt is one of these composers whose creative output has significantly changed the way we understand the nature of music. Since 1976, his unique tintinnabuli compositions have established a new kind of musical paradigm – a radically different approach to many aspects of music, as well as to interpretation and listening. As one of the most radical representatives of the Soviet avant-garde, Pärt’s work passed through a profound evolutionary process: from neo-classical piano music to the individual use of dodecaphony, composition with sound masses, chance music and collage technique.

After his last and most dramatic collage piece Credo (1968), ...

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